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发布时间： 2023-02-28 15:03
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Bernard Bailyn has recently reinterpreted the early history of the United States by applying new social research findings on the experiences of European migrants. In his reinterpretation,migration becomes the organizing principle for rewriting the history of preindustrial North America. His approach rests on four separate propositions.
The first of these asserts that residents of early modern England moved regularly about their countryside; migrating to the New World was simply a natural spillover. Although at first the colonies held little positive attraction for the English — they would rather have stayed home — by the eighteenth century people increasingly migrated to America because they regarded it as the land of opportunity. Secondly,Bailyn holds that,contrary to the notion that used to flourish in America history textbooks,there was never a typical New World community. For example,the economic and demographic character of early New England towns varied considerably.
Bailyn's third proposition suggest two general patterns prevailing among the many thousands of migrants:one group came as indentured servants,another came to acquire land. Surprisingly,Bailyn suggests that those who recruited indentured servants were the driving forces of transatlantic migration. These colonial entrepreneurs helped determine the social character of people who came to preindustrial North America. At first,thousands of unskilled laborers were recruited; by the 1730's,however,American employers demanded skilled artisans.
Finally,Bailyn argues that the colonies were a half-civilized hinterland of the European culture system. He is undoubtedly correct to insist that the colonies were part of an Anglo-American empire. But to divide the empire into English core and colonial periphery,as Bailyn does,devalues the achievements of colonial culture. It is true,as Bailyn claims,that high culture in the colonies never matched that in England. But what of seventeenth-century New England,where the settlers created effective laws,built a distinguished university,and published books? Bailyn might respond that New England was exceptional. However,the ideas and institutions developed by New England Puritans had powerful effects on North American culture.
Although Bailyn goes on to apply his approach to some thousands of indentured servants who migrated just prior to the revolution,he fails to link their experience with the political development of the United States. Evidence presented in his work suggests how we might make such a connection. These indentured servants were treated as slaves for the period during which they had sold their time to American employers. It is not surprising that as soon as they served their time they passed up good wages in the cities and headed west to ensure their personal independence by acquiring land. Thus, it is in the west that a peculiarly American political culture began,among colonists who were suspicious of authority and intensely anti-aristocratic.
The author of the text would be most likely to agree with which of the following statements about Bailyn's work?
本题解析：暂无解析
Bernard Bailyn has recently reinterpreted the early history of the United States by applying new social research findings on the experiences of European migrants. In his reinterpretation,migration becomes the organizing principle for rewriting the history of preindustrial North America. His approach rests on four separate propositions.
The first of these asserts that residents of early modern England moved regularly about their countryside; migrating to the New World was simply a natural spillover. Although at first the colonies held little positive attraction for the English — they would rather have stayed home — by the eighteenth century people increasingly migrated to America because they regarded it as the land of opportunity. Secondly,Bailyn holds that,contrary to the notion that used to flourish in America history textbooks,there was never a typical New World community. For example,the economic and demographic character of early New England towns varied considerably.
Bailyn's third proposition suggest two general patterns prevailing among the many thousands of migrants:one group came as indentured servants,another came to acquire land. Surprisingly,Bailyn suggests that those who recruited indentured servants were the driving forces of transatlantic migration. These colonial entrepreneurs helped determine the social character of people who came to preindustrial North America. At first,thousands of unskilled laborers were recruited; by the 1730's,however,American employers demanded skilled artisans.
Finally,Bailyn argues that the colonies were a half-civilized hinterland of the European culture system. He is undoubtedly correct to insist that the colonies were part of an Anglo-American empire. But to divide the empire into English core and colonial periphery,as Bailyn does,devalues the achievements of colonial culture. It is true,as Bailyn claims,that high culture in the colonies never matched that in England. But what of seventeenth-century New England,where the settlers created effective laws,built a distinguished university,and published books? Bailyn might respond that New England was exceptional. However,the ideas and institutions developed by New England Puritans had powerful effects on North American culture.
Although Bailyn goes on to apply his approach to some thousands of indentured servants who migrated just prior to the revolution,he fails to link their experience with the political development of the United States. Evidence presented in his work suggests how we might make such a connection. These indentured servants were treated as slaves for the period during which they had sold their time to American employers. It is not surprising that as soon as they served their time they passed up good wages in the cities and headed west to ensure their personal independence by acquiring land. Thus, it is in the west that a peculiarly American political culture began,among colonists who were suspicious of authority and intensely anti-aristocratic.
According to the text,Bailyn and the author agree on which of the following statements about the culture of colonial New England?
本题解析：暂无解析
Bernard Bailyn has recently reinterpreted the early history of the United States by applying new social research findings on the experiences of European migrants. In his reinterpretation,migration becomes the organizing principle for rewriting the history of preindustrial North America. His approach rests on four separate propositions.
The first of these asserts that residents of early modern England moved regularly about their countryside; migrating to the New World was simply a natural spillover. Although at first the colonies held little positive attraction for the English — they would rather have stayed home — by the eighteenth century people increasingly migrated to America because they regarded it as the land of opportunity. Secondly,Bailyn holds that,contrary to the notion that used to flourish in America history textbooks,there was never a typical New World community. For example,the economic and demographic character of early New England towns varied considerably.
Bailyn's third proposition suggest two general patterns prevailing among the many thousands of migrants:one group came as indentured servants,another came to acquire land. Surprisingly,Bailyn suggests that those who recruited indentured servants were the driving forces of transatlantic migration. These colonial entrepreneurs helped determine the social character of people who came to preindustrial North America. At first,thousands of unskilled laborers were recruited; by the 1730's,however,American employers demanded skilled artisans.
Finally,Bailyn argues that the colonies were a half-civilized hinterland of the European culture system. He is undoubtedly correct to insist that the colonies were part of an Anglo-American empire. But to divide the empire into English core and colonial periphery,as Bailyn does,devalues the achievements of colonial culture. It is true,as Bailyn claims,that high culture in the colonies never matched that in England. But what of seventeenth-century New England,where the settlers created effective laws,built a distinguished university,and published books? Bailyn might respond that New England was exceptional. However,the ideas and institutions developed by New England Puritans had powerful effects on North American culture.
Although Bailyn goes on to apply his approach to some thousands of indentured servants who migrated just prior to the revolution,he fails to link their experience with the political development of the United States. Evidence presented in his work suggests how we might make such a connection. These indentured servants were treated as slaves for the period during which they had sold their time to American employers. It is not surprising that as soon as they served their time they passed up good wages in the cities and headed west to ensure their personal independence by acquiring land. Thus, it is in the west that a peculiarly American political culture began,among colonists who were suspicious of authority and intensely anti-aristocratic.
Which of the following best summarizes the author's evaluation of Bailyn's fourth proposition?
本题解析：暂无解析
Bernard Bailyn has recently reinterpreted the early history of the United States by applying new social research findings on the experiences of European migrants. In his reinterpretation,migration becomes the organizing principle for rewriting the history of preindustrial North America. His approach rests on four separate propositions.
The first of these asserts that residents of early modern England moved regularly about their countryside; migrating to the New World was simply a natural spillover. Although at first the colonies held little positive attraction for the English — they would rather have stayed home — by the eighteenth century people increasingly migrated to America because they regarded it as the land of opportunity. Secondly,Bailyn holds that,contrary to the notion that used to flourish in America history textbooks,there was never a typical New World community. For example,the economic and demographic character of early New England towns varied considerably.
Bailyn's third proposition suggest two general patterns prevailing among the many thousands of migrants:one group came as indentured servants,another came to acquire land. Surprisingly,Bailyn suggests that those who recruited indentured servants were the driving forces of transatlantic migration. These colonial entrepreneurs helped determine the social character of people who came to preindustrial North America. At first,thousands of unskilled laborers were recruited; by the 1730's,however,American employers demanded skilled artisans.
Finally,Bailyn argues that the colonies were a half-civilized hinterland of the European culture system. He is undoubtedly correct to insist that the colonies were part of an Anglo-American empire. But to divide the empire into English core and colonial periphery,as Bailyn does,devalues the achievements of colonial culture. It is true,as Bailyn claims,that high culture in the colonies never matched that in England. But what of seventeenth-century New England,where the settlers created effective laws,built a distinguished university,and published books? Bailyn might respond that New England was exceptional. However,the ideas and institutions developed by New England Puritans had powerful effects on North American culture.
Although Bailyn goes on to apply his approach to some thousands of indentured servants who migrated just prior to the revolution,he fails to link their experience with the political development of the United States. Evidence presented in his work suggests how we might make such a connection. These indentured servants were treated as slaves for the period during which they had sold their time to American employers. It is not surprising that as soon as they served their time they passed up good wages in the cities and headed west to ensure their personal independence by acquiring land. Thus, it is in the west that a peculiarly American political culture began,among colonists who were suspicious of authority and intensely anti-aristocratic.
The author of the text states that Bailyn failed to——
本题解析：暂无解析
Bernard Bailyn has recently reinterpreted the early history of the United States by applying new social research findings on the experiences of European migrants. In his reinterpretation,migration becomes the organizing principle for rewriting the history of preindustrial North America. His approach rests on four separate propositions.
The first of these asserts that residents of early modern England moved regularly about their countryside; migrating to the New World was simply a natural spillover. Although at first the colonies held little positive attraction for the English — they would rather have stayed home — by the eighteenth century people increasingly migrated to America because they regarded it as the land of opportunity. Secondly,Bailyn holds that,contrary to the notion that used to flourish in America history textbooks,there was never a typical New World community. For example,the economic and demographic character of early New England towns varied considerably.
Bailyn's third proposition suggest two general patterns prevailing among the many thousands of migrants:one group came as indentured servants,another came to acquire land. Surprisingly,Bailyn suggests that those who recruited indentured servants were the driving forces of transatlantic migration. These colonial entrepreneurs helped determine the social character of people who came to preindustrial North America. At first,thousands of unskilled laborers were recruited; by the 1730's,however,American employers demanded skilled artisans.
Finally,Bailyn argues that the colonies were a half-civilized hinterland of the European culture system. He is undoubtedly correct to insist that the colonies were part of an Anglo-American empire. But to divide the empire into English core and colonial periphery,as Bailyn does,devalues the achievements of colonial culture. It is true,as Bailyn claims,that high culture in the colonies never matched that in England. But what of seventeenth-century New England,where the settlers created effective laws,built a distinguished university,and published books? Bailyn might respond that New England was exceptional. However,the ideas and institutions developed by New England Puritans had powerful effects on North American culture.
Although Bailyn goes on to apply his approach to some thousands of indentured servants who migrated just prior to the revolution,he fails to link their experience with the political development of the United States. Evidence presented in his work suggests how we might make such a connection. These indentured servants were treated as slaves for the period during which they had sold their time to American employers. It is not surprising that as soon as they served their time they passed up good wages in the cities and headed west to ensure their personal independence by acquiring land. Thus, it is in the west that a peculiarly American political culture began,among colonists who were suspicious of authority and intensely anti-aristocratic.
Which of the following statements about migrants to colonial North America is supported by information in the text?
本题解析：暂无解析
Roger Rosenblatt's book Black Fiction, in attempting to apply literary rather than sociopolitical criteria to its subject，successfully alters the approach taken by most previous studies. As Rosenblatt notes,criticism of Black writing has often served as a pretext for expounding on Black history.Addison Gayle's recent work, for example, judges the value of Black fiction by overtly political standards，rating each work according to the notions of Black identity which itpropounds.
Although fiction assuredly springs from political circumstances，its authors react to those circumstances in ways other than ideological, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise.Rosenblatt's literary analysis discloses affinities and connections among works of Black fiction which solely political studies have overlooked or ignored.
Writing acceptable criticism of Black fiction, however, presupposes giving satisfactory answers to a number of questions. First of all, is there a sufficient reason,other than the facial identity of the authors, to group together works by Black authors?Second，how does Black fiction make itself distinct from other modern fiction with which it is largely contemporaneous? Rosenblatt shows that Black fiction constitutes a distinct body of writing that has an identifiable，coherent literary tradition. Looking at novels written by Black over the last eighty years，he discovers recurring concerns and designs independent of chronology. These structures are thematic, and they spring， not surprisingly, from the central fact that the Black characters in these novels exist in a predominantly white culture,whether they try to conform to that culture or rebel against it.
Black Fiction does leave some aesthetic questions open.Rosenblatt's thematic analysis permits considerable objectivity; he even explicitly states that it is not his intention to judge the merit of the various works?Yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For instance, some of the novels appear to be structurally diffuse. Is this a defect, or are the authors working out of, or trying to forge, a different kind of aesthetic?In addition，the style of some Black novels，like Jean Toomey's Cane，verges on expressionism or surrcalism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expression?
In spitc of such omissions，what Rosenblatt does include in his discussion makes for an astute and worthwhile study. Black Fiction surveys a wide variety of novels, bringing to our attention in the process some fascinating and little-known works like James Weldon Johnson's Autobiography of an Ex-Colored Man. Its argument is tightly constructed,and its forthright,lucid style exemplifies levelheaded and penetrating criticism.
The author of the text refers to James Weldon Johnson's Autobiography of an Ex-Colored Man most probably in order to——
本题解析：暂无解析
Roger Rosenblatt's book Black Fiction, in attempting to apply literary rather than sociopolitical criteria to its subject，successfully alters the approach taken by most previous studies. As Rosenblatt notes,criticism of Black writing has often served as a pretext for expounding on Black history.Addison Gayle's recent work, for example, judges the value of Black fiction by overtly political standards，rating each work according to the notions of Black identity which itpropounds.
Although fiction assuredly springs from political circumstances，its authors react to those circumstances in ways other than ideological, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise.Rosenblatt's literary analysis discloses affinities and connections among works of Black fiction which solely political studies have overlooked or ignored.
Writing acceptable criticism of Black fiction, however, presupposes giving satisfactory answers to a number of questions. First of all, is there a sufficient reason,other than the facial identity of the authors, to group together works by Black authors?Second，how does Black fiction make itself distinct from other modern fiction with which it is largely contemporaneous? Rosenblatt shows that Black fiction constitutes a distinct body of writing that has an identifiable，coherent literary tradition. Looking at novels written by Black over the last eighty years，he discovers recurring concerns and designs independent of chronology. These structures are thematic, and they spring， not surprisingly, from the central fact that the Black characters in these novels exist in a predominantly white culture,whether they try to conform to that culture or rebel against it.
Black Fiction does leave some aesthetic questions open.Rosenblatt's thematic analysis permits considerable objectivity; he even explicitly states that it is not his intention to judge the merit of the various works?Yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For instance, some of the novels appear to be structurally diffuse. Is this a defect, or are the authors working out of, or trying to forge, a different kind of aesthetic?In addition，the style of some Black novels，like Jean Toomey's Cane，verges on expressionism or surrcalism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expression?
In spitc of such omissions，what Rosenblatt does include in his discussion makes for an astute and worthwhile study. Black Fiction surveys a wide variety of novels, bringing to our attention in the process some fascinating and little-known works like James Weldon Johnson's Autobiography of an Ex-Colored Man. Its argument is tightly constructed,and its forthright,lucid style exemplifies levelheaded and penetrating criticism.
The author of the text employs all of the following in the discussion of Rosenblatt's books book EXCEPT:——
本题解析：暂无解析
Roger Rosenblatt's book Black Fiction, in attempting to apply literary rather than sociopolitical criteria to its subject，successfully alters the approach taken by most previous studies. As Rosenblatt notes,criticism of Black writing has often served as a pretext for expounding on Black history.Addison Gayle's recent work, for example, judges the value of Black fiction by overtly political standards，rating each work according to the notions of Black identity which itpropounds.
Although fiction assuredly springs from political circumstances，its authors react to those circumstances in ways other than ideological, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise.Rosenblatt's literary analysis discloses affinities and connections among works of Black fiction which solely political studies have overlooked or ignored.
Writing acceptable criticism of Black fiction, however, presupposes giving satisfactory answers to a number of questions. First of all, is there a sufficient reason,other than the facial identity of the authors, to group together works by Black authors?Second，how does Black fiction make itself distinct from other modern fiction with which it is largely contemporaneous? Rosenblatt shows that Black fiction constitutes a distinct body of writing that has an identifiable，coherent literary tradition. Looking at novels written by Black over the last eighty years，he discovers recurring concerns and designs independent of chronology. These structures are thematic, and they spring， not surprisingly, from the central fact that the Black characters in these novels exist in a predominantly white culture,whether they try to conform to that culture or rebel against it.
Black Fiction does leave some aesthetic questions open.Rosenblatt's thematic analysis permits considerable objectivity; he even explicitly states that it is not his intention to judge the merit of the various works?Yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For instance, some of the novels appear to be structurally diffuse. Is this a defect, or are the authors working out of, or trying to forge, a different kind of aesthetic?In addition，the style of some Black novels，like Jean Toomey's Cane，verges on expressionism or surrcalism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expression?
In spitc of such omissions，what Rosenblatt does include in his discussion makes for an astute and worthwhile study. Black Fiction surveys a wide variety of novels, bringing to our attention in the process some fascinating and little-known works like James Weldon Johnson's Autobiography of an Ex-Colored Man. Its argument is tightly constructed,and its forthright,lucid style exemplifies levelheaded and penetrating criticism.
The author's discussion of Black Fiction can be best described as——
本题解析：暂无解析
Roger Rosenblatt's book Black Fiction, in attempting to apply literary rather than sociopolitical criteria to its subject，successfully alters the approach taken by most previous studies. As Rosenblatt notes,criticism of Black writing has often served as a pretext for expounding on Black history.Addison Gayle's recent work, for example, judges the value of Black fiction by overtly political standards，rating each work according to the notions of Black identity which itpropounds.
Although fiction assuredly springs from political circumstances，its authors react to those circumstances in ways other than ideological, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise.Rosenblatt's literary analysis discloses affinities and connections among works of Black fiction which solely political studies have overlooked or ignored.
Writing acceptable criticism of Black fiction, however, presupposes giving satisfactory answers to a number of questions. First of all, is there a sufficient reason,other than the facial identity of the authors, to group together works by Black authors?Second，how does Black fiction make itself distinct from other modern fiction with which it is largely contemporaneous? Rosenblatt shows that Black fiction constitutes a distinct body of writing that has an identifiable，coherent literary tradition. Looking at novels written by Black over the last eighty years，he discovers recurring concerns and designs independent of chronology. These structures are thematic, and they spring， not surprisingly, from the central fact that the Black characters in these novels exist in a predominantly white culture,whether they try to conform to that culture or rebel against it.
Black Fiction does leave some aesthetic questions open.Rosenblatt's thematic analysis permits considerable objectivity; he even explicitly states that it is not his intention to judge the merit of the various works?Yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For instance, some of the novels appear to be structurally diffuse. Is this a defect, or are the authors working out of, or trying to forge, a different kind of aesthetic?In addition，the style of some Black novels，like Jean Toomey's Cane，verges on expressionism or surrcalism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expression?
In spitc of such omissions，what Rosenblatt does include in his discussion makes for an astute and worthwhile study. Black Fiction surveys a wide variety of novels, bringing to our attention in the process some fascinating and little-known works like James Weldon Johnson's Autobiography of an Ex-Colored Man. Its argument is tightly constructed,and its forthright,lucid style exemplifies levelheaded and penetrating criticism.
The author of the text believes that Black Fiction would have been improved had Rosenblatt——
本题解析：暂无解析
Roger Rosenblatt's book Black Fiction, in attempting to apply literary rather than sociopolitical criteria to its subject，successfully alters the approach taken by most previous studies. As Rosenblatt notes,criticism of Black writing has often served as a pretext for expounding on Black history.Addison Gayle's recent work, for example, judges the value of Black fiction by overtly political standards，rating each work according to the notions of Black identity which itpropounds.
Although fiction assuredly springs from political circumstances，its authors react to those circumstances in ways other than ideological, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise.Rosenblatt's literary analysis discloses affinities and connections among works of Black fiction which solely political studies have overlooked or ignored.
Writing acceptable criticism of Black fiction, however, presupposes giving satisfactory answers to a number of questions. First of all, is there a sufficient reason,other than the facial identity of the authors, to group together works by Black authors?Second，how does Black fiction make itself distinct from other modern fiction with which it is largely contemporaneous? Rosenblatt shows that Black fiction constitutes a distinct body of writing that has an identifiable，coherent literary tradition. Looking at novels written by Black over the last eighty years，he discovers recurring concerns and designs independent of chronology. These structures are thematic, and they spring， not surprisingly, from the central fact that the Black characters in these novels exist in a predominantly white culture,whether they try to conform to that culture or rebel against it.
Black Fiction does leave some aesthetic questions open.Rosenblatt's thematic analysis permits considerable objectivity; he even explicitly states that it is not his intention to judge the merit of the various works?Yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For instance, some of the novels appear to be structurally diffuse. Is this a defect, or are the authors working out of, or trying to forge, a different kind of aesthetic?In addition，the style of some Black novels，like Jean Toomey's Cane，verges on expressionism or surrcalism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expression?
In spitc of such omissions，what Rosenblatt does include in his discussion makes for an astute and worthwhile study. Black Fiction surveys a wide variety of novels, bringing to our attention in the process some fascinating and little-known works like James Weldon Johnson's Autobiography of an Ex-Colored Man. Its argument is tightly constructed,and its forthright,lucid style exemplifies levelheaded and penetrating criticism.
The author of the text is primarily concerned with——
本题解析：暂无解析
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